The forest knew everything. News passed on a breath of wind, in the call of an owl, in the small pattern of a squirrel’s paw prints. The trout in the stream learned it. The lark soaring high above saw it. The knowledge was in the hearts of the trees and the mysterious rustling of their leaves. It was a deep-down wisdom, as solemn as a druid’s prayer.
Tola desires to build a heartwood house, which will give protection to the family it belongs to, and with the sudden appearance of Bardan, a damaged wild man who knows the complex patterning required to build such a house, he is able to start. He employs Grim to assist Bardan but he imposes strict conditions of secrecy and embargoes conversation with him. Grim, however, disregards this as he feels sympathetic and protective towards Bardan, whose story is truly horrific. Meanwhile Cara is sent to the court of Prince Oban, ostensibly to acquire some polish, as she is dreamy, tongue tied, and does not conform to what Tola and Della regard as the rules of female decorum. She misses her forest. Ultimately she comes into contact with Blackthorn and her complex and tragic past is slowly revealed. Blackthorn’s own story is ongoing as well; Mathuin has overstepped his power. We also discover how important Conmael, the elf lord, is to her, and how his conditional help has really been life-saving. And the relationship between Blackthorn and Grim slowly changes in predictable ways. Historical fantasy is not everyone’s cup of tea but Marillier’s exploration of character is charming and perceptive and enriches the narrative. She is a very accomplished storyteller, able to weave stories within stories in ways that are complex and riveting. In some ways Blackthorn is annoyingly blind to her own emotions and Grim is almost too good to be true, but this is part of the narrative path. Each chapter is given to a different player: Grim, Blackthorn, Cara and Bardan, and their thoughts reveal aspects of themselves and advance the story. Here is Grim:At first I think she is only a dream. Been wanting to see her so bad, missing her so much, I’ve imagined this over and over. In the dream I look up and there she is, coming along from the big house. Red scarf on her head, red hair under it, basket over her arm. Not smiling or frowning, just looking at me like she knows me better than I do myself.
For me the real pleasure in this book is the underlying moral compass. It is humanist to the max. All the good outcomes are the result of decent and respectful behaviour by the main characters. As well, as they think and analyse their situations, the characters continually show the worth of gaining self- knowledge:After the vile ordeal of Mathuin’s lockup, I’d acquired Grim as a travelling companion, not wanting him, not choosing him, but bound to let him tag along because of Conmael’s poxy rules. And now I was so used to having the big man around that when he was off doing his long days on the heartwood house I couldn’t help missing him. It felt as if part of me was absent.
This is a fine fairy story and I enjoy the name Grim, not only for its allusion to other historical fairy stories but because the main male character is anything but; he is the voice of respect and dignity. Juliet Marillier Den of Wolves: Blackthorn & Grim #3 Macmillan 2016 PB 432pp $29.99 Folly Gleeson was a lecturer in Communication Studies. At present she enjoys her book club and reading history and fiction. You can buy Den of Wolves from Abbey’s at a 10% discount by quoting the promotion code NEWTOWNREVIEW here or you can buy it from Booktopia here. To see if it is available from Newtown Library, click here.Tags: Australian SFF, Australian women's writing, Juliet | Marillier
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