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Posted on 28 May 2024 in Fiction, SFF | 0 comments

OLIVER K LANGMEAD Calypso. Reviewed by Robert Goodman

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Oliver K Langmead combines science fiction with poetry to deliver a fresh and thought-provoking take on the genre.

Just when you think you have come across every possible version and trope of the generation-ship (taking hundreds of years to take colonists to a new planet) subgenre of science fiction, along comes a book like Calypso by Oliver K Langmead to shake things up. Written as a series of differently styled epic poems, Calypso not only tells a fascinating story but raises some deep philosophical issues about the potential ethics of generational space travel and colonisation.

Calypso opens with the names of four characters – Rochelle, Catherine, Sigmund and The Herald. Each has a very different role in the narrative and a different poetic form. The main narrative is told by Rochelle. Employed by Sigmund for the journey on the Calypso specifically to question his decisions, she has left her young family behind to be part of this one-way multigenerational experiment. Rochelle awakens from a centuries-long sleep to find that the Calypso has arrived at its destination:

All those curved lines the navigators drew

Through stars and centuries brought us to this,

So that we, reawakened may look down

Upon the face of this barren new world.

But Rochelle finds that her fellow engineers have all been awakened some time before and have disappeared. The only three remaining are herself, Sigmund and Catherine, a bioengineer with very specific talents. The ship itself is being run by a highly structured neo-primitive society led by a figure in white who calls himself The Herald. These are the crew, who over many generations have been ensuring the ship continues to function and tending to thousands of sleeping colonists:

The colony does not look like one

There are rows of cryogenic cradles;

Bulging frozen sacs hanging like pupae

Between humming machines sustaining them …

The colony is all mermaids purses

With foetal human silhouettes inside

Each a new person ready to be born;

Ready to inhabit the world we build.

Rochelle quickly finds that there was a schism in the distant past between different factions of the crew, the effects of which are still being felt across the ship.

To say much more about Calypso would be to spoil some of the fascinating, thought-provoking and surprising roads it goes down. It opens with some puzzles but, as it solves them, opens out the ethical and philosophical conundrums underpinning them. And beneath it all is the question of whether we can leave our basic humanity behind. What is the psychological and social baggage that humans carry with them? Is it possible to start again with a clean slate?

Central to this consideration is the character of Arthur Sigmund, whose story is told in flashbacks. It is the tale of a young man who as he grows sees the problems of mankind and comes up with a unique solution:

Observe keenly the young man called Arthur


Who has stopped on the moon on his way back to

Earth …

As Arthur watches, the Earth breaks the horizon,

A crescent so bright it streaks across his vision.

From here, it is blue and white and green and so


Arthur was expecting the Earth to seem mighty

But instead it appears to be very fragile:

A spherical ornament made of such thin glass

That he could shatter it with a careless gesture.

This history, and the philosophy driving Sigmund’s plan, informs the way the story plays out in its final few sections.

While all four of the poetic registers are different, probably the most bravura section is The Herald’s retelling of the voyage of the Calypso – and the internecine battle that took place halfway through its centuries-long voyage – as an epic poem:

The    expanse   a   vibrant   void

bejewelled  Aglitter with radiant

stars       afire        Was       sweet

Calypso’s   celestial   sea   Bright

With     heavenly    beacons    to

guide     her     So     small      she

spun      in     interstellar     space

Although close behind is the section that describes Catherine’s terraforming of the new planet using technology built into her body. All of Catherine’s sections are told in text that creates different patterns on the page:

…. we catalyse the island

the river blooms green and purple, flecks caught up in the wind

around our feet grasses rise, slicing our skin, drawing our fertile blood

which blossoms into flowers around us, winding themselves around our ankles

In a genre awash with authors recycling the same ideas, it is increasingly rare to come across something that takes this subject matter and makes it so wholly new. Langmead gives readers another way to look at the tropes and ideas inherent in the concept of multigenerational journeys to colonise distant stars. Calypso surprises not just in its form but in its approach to the ethical, moral and social issues bound up in this kind of endeavour.

Oliver K Langmead Calypso Titan Books 2024 HB 224pp $24.99

Robert Goodman is an institutionalised public servant and obsessive reader, who won a science fiction short-story competition very early in his career but has found reviewing a better outlet for his skills. He was a judge of the Ned Kelly Awards for eight years and reviews for a number of other publications – see his website:

You can buy Calypso from Abbey’s at a 10% discount by quoting the promotion code NEWTOWNREVIEW or you can buy it from Booktopia.

You can also check if it is available from Newtown Library.

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